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Getting the Chords By Ear - 2/3

The main take-away from this video is to master the sound and feeling of the 16251 progression and the floating 251 onto the 4th... simply by playing them yourself and listening a lot. This piece is a very easy one to learn. The progression ends up being 16251 twice, followed by a 251 onto the 4... then 2 as major and then minor, 5 1. Nothing too serious! Part 3 will be improvisation ideas.



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Should you be interested in the Water Pianism Syllabus, the price is $100USD ($80 if you’re a registered member) and is only available via PayPal. I recommend reading the Syllabus Overview Document before contacting me (danthecomposer@gmail.com) for the payment address. I hope you will enjoy the concept and be interested in taking the journey.

I have a new playlist called Straight & To The Point which contains videos only 4-6 mins in length. You can find them of course by looking in the playlist or, if you happen to find one isolated, it will carry a red, 5-min logo in the thumbnail for instant recognition.



Welcome to my Website

The purpose of this website is to help new and existing subscribers discover my video content in a much more personalised way than YouTube itself can provide.  By registering for free, you will be able to create your own Watchlists and benefit from recommend videos and playlists created automatically for you based on what videos you’ve watched, or by me personally.

Also enjoy easy access to my blog, online shop and support pages, as well as reading testimonials by others who have been positively affected by the Water Pianism philosophy.

Thank you for visiting and I hope you will consider registering, filling out your profile and enjoying my content in your own way!

Best, Dan.



Testimonials

Andrew Liao:  As a firm believer of Water Pianism (WP) philosophies, I have no doubt that the philosophical approach to piano established by “danthecomposer” has help me learn to play any Jazz repertoire systematically. Once I select a song I start listening to several recordings to be stored in my “internal jukebox”. Then, I dissect chord progression from a lead sheet. The basic song structure, including tempo, is then stored in my “internal manuscript” and “internal metronome”. Often I spend two to three weeks just to rehearse the aforementioned internals “away” from piano. When I am “at” piano, I focus on my natural fingering and steadiness of execution, not speed. Then, I play the repertoire over and over again to lessen conscious interference, subsequently becoming a spectator rather than a performer. Last, but not least, I work on improvisation and embellishment according to my music personality. At this point I should feel confident to play the repertoire fluently. I recommend highly the WP approach to anyone, especially to beginners who want to be a Jazz piano player.